We’re writing about the award-winning author, Edith Wharton. In this post, we read about Edith Wharton on writing fiction.
Edith Wharton was born 24 January 1862, and died 11 August 1937
Wharton was an American literary author who wrote novels of manners. She was the author of The Age of Innocence
, Ethan Frome, The House of Mirth, and The Custom of the Country. She wrote more than 50 books in 40 years, including fiction, short stories, historical novels, travel books, and criticism. Wharton’s stories often included social satire and comedy.
She was known for her stories about upper crust society. In her writing, Wharton was influenced by Henry James, and her themes included social change, ethical issues, and the constraints of upper-class society. In The Age of Innocence, she tells of a romance doomed by duty in 1870s ‘Old New York’. Like many of her other novels, The Age of Innocence has been adapted for film.
Edith Wharton was also a significant writer of ghost stories, drawing from her fear of the genre as a child to create chilling tales like ‘Pomegranate Seed‘, ‘Afterward‘, and ‘The Lady’s Maid’s Bell‘.
Wharton was thrilled to make friends with luminaries such as Henry James, Sinclair Lewis, Jean Cocteau, André Gide, Paul Bourget, and Percy Lubbock.
She was the first woman to receive the Pulitzer Prize for Fiction; an honorary Doctorate from Yale University; and full membership in the Academy of Arts and Letters. She was nominated for the Nobel Prize in Literature more than once.
She also wrote an autobiography, A Backward Glance, and penned The Writing of Fiction. ‘In The Writing of Fiction, Wharton provides general comments on the roots of modern fiction, the various approaches to writing a piece of fiction, and the development of form and style. She also devotes entire chapters to the telling of a short story, the construction of a novel, and the importance of character and situation in the novel.’ (via)
In this post, I will share some of her best writing advice.
Edith Wharton On Writing Fiction
1. The Middle Is The Hardest Part
‘What is writing a novel like?
1. The beginning: A ride through a spring wood.
2. The middle: The Gobi desert.
3. The end: A night with a lover.
I am now in the Gobi desert.’ (Diary entry from 1934, when working on The Buccaneers via Penguin Random House)
2. Have A New Vision
‘True originality consists not in a new manner but in a new vision. That new, that personal, vision is attained only by looking long enough at the object represented to make it the writer’s own.’ (The Writing of Fiction by Edith Wharton)
3. Don’t Be Afraid To Use The Same Plots
‘Another unsettling element in modern art is that common symptom of immaturity, the dread of doing what has been done before.’ (The Writing of Fiction by Edith Wharton)
‘Every dawning talent has to go through a phase of imitation and subjection to influences, and the great object of the young writer should be not to fear those influences, but to seek only the greatest, and to assimilate them so they become [her] stock-in-trade.’ (From a letter, 1918)
4. Immerse The Reader In The Story
‘The least touch of irrelevance, the least chill of inattention, will instantly undo the spell, and it will take as long to weave again as to get Humpty Dumpty back on his wall.’ (The Writing of Fiction by Edith Wharton)
5. Believe In Yourself
‘At last I had groped my way through to my vocation, and thereafter never questioned that storytelling was my job … The Land of Letters was hence forth to be my country and I gloried in my new citizenship.’ (From her autobiography, A Backward Glance. She describes how she felt at the publication of her first collection of short stories.)
‘My literary success puzzled and embarrassed my old friends far more than it impressed them, and in my own family it created a kind of constraint which increased with the years. None of my relations ever spoke to me of my books, either to praise or to blame — they simply ignored them …
At first I felt this indifference acutely; but now I no longer cared, for my recognition as a writer had transformed my life.’ (From her autobiography, A Backward Glance)
‘I have often wondered, in looking back at the slow stammering beginnings of my literary life, whether or not it is a good thing for the creative artist to grow up in an atmosphere where the arts are simply non-existent. Violent opposition might be a stimulus–but was it helpful or the reverse to have every aspiration ignored, or looked at askance?’ (From her autobiography, A Backward Glance)
6. Find Your Tribe
‘My long experimenting had resulted in two or three books which brought me more encouragement than I had ever dreamed of obtaining, and were the means of my making some of the happiest friendships of my life.
The reception of my books gave me the self-confidence I had so long lacked, and in the company of people who shared my tastes, and treated me as their equal, I ceased to suffer from the agonizing shyness which used to rob such encounters of all pleasure.’ (From her autobiography, A Backward Glance)
7. Create Your Characters For The Format
‘No subject in itself, however fruitful, appears to be able to keep a novel alive; only the characters in it can. Of the short story the same cannot be said. Some of the greatest short stories owe their vitality entirely to the dramatic rendering of a situation.’ (The Writing of Fiction by Edith Wharton)
8. Take The Critics With A Pinch Of Salt
‘After all, one knows one’s weak points so well, that it’s rather bewildering to have the critics overlook them & invent others that (one is fairly sure) don’t exist — or exist in a less measure.’ (Letter to Robert Grant, 19 November 1907)
9. Prevent Author Intrusion
‘I have never known a novel that was good enough to be good in spite of its being adapted to the author’s political views.’ (Letter to Upton Sinclair, 19 August 1927)
10. Let Your Characters’ Changes Seem Natural
‘The other difficulty is that of communicating the effect of the gradual passage of time in such a way that the modifying and maturing of the characters shall seem not an arbitrary sleight-of-hand but the natural result of growth in age and experience. This is the great mystery of the art of fiction. The secret seems incommunicable; one can only conjecture that it has to do with the novelist’s own deep belief in his characters and what he is telling about them.’ (The Writing of Fiction by Edith Wharton)
11. Work With A Mentor
‘He [Walter Berry] alone not only encouraged me to write, as others had already done, but had the patience and the intelligence to teach me how. Others praised, some flattered–he alone took the trouble to analyze and criticise. The instinct to write had always been there; it was he who drew it forth, shaped it and set it free.’ (From her autobiography, A Backward Glance)
12. Have Something Important To Say
‘A good subject, then, must contain in itself something that sheds a light on our moral experience. If it is incapable of this expansion, this vital radiation, it remains, however showy a surface it presents, a mere irrelevant happening, a meaningless scrap of fact torn out of its context.’ (The Writing of Fiction by Edith Wharton)
13. Embrace Ideas
‘Ah, good conversation – there’s nothing like it, is there? The air of ideas is the only air worth breathing.’ (The Age of Innocence by Edith Wharton)
Source for photograph: E. F. Cooper, Newport, Rhode Island, Public domain, via Wikimedia Commons

by Amanda Patterson
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