Windows 11 appears to be heading for a new look where Microsoft would replace most, if not all, of the legacy dialogs or pop-ups you come across in the operating system. This comes at a time when Microsoft admitted WinUI isn’t exactly performance-friendly, and it has plans to make it better as it rolls it out to the shell, beyond just apps.

Microsoft officially maintains Fluent Design as the primary design language, and it’s mostly supported by WinUI, which is one of the recommended frameworks for Windows 11. WinUI had appeared to be on the back burner until recently, but Microsoft has clarified it’s fully committed to the framework, and it’ll begin enforcing it for the Windows shell.

Now, we’re actually seeing some of the promises become reality, and it no longer appears to be just “talk” or “PR.” It’s understandable why it’s quite difficult to believe because we have had these “Windows is back” moments in the past as well, and nothing really happened because the tech giant headed for reorgs.

However, Windows 11’s 2026 rival efforts are different because we’re actually seeing the core engineering and product group engage with consumers, and most changes are already showing in preview builds, which did not happen when the company made similar promises in the past.

For example, Microsoft recently teased that it’ll be rolling out a new WinUI-based design for the AutoPlay dialog, and we’re already seeing it in the preview builds.

For those unaware, AutoPlay shows up when you connect a phone, USB drive, or any media, including a disc if you have one. The AutoPlay dialog shows up at the top-right corner of the screen and is actually from the Windows 8 era. If you can’t recall or understand what the AutoPlay dialog even is, here’s a screenshot:

I am sure you’ve all seen it at some point when using Windows 11, and if you have a bit of understanding of how WinUI/Fluent Design is supposed to look, you’d immediately notice that the AutoPlay dialog is actually the one from Windows 8.

It’s locked to the top-right corner, compared to the centre of the screen we had in Windows 7, and it’s also not possible to have an “Always” remember my choice option.

Now, take a look at the new AutoPlay dialog coming to Windows 11:

It’s beautiful if you like WinUI, but the biggest change isn’t just how it looks. It’s also that it’s no longer a small flyout tucked into the top-right corner of the desktop.

I really hated that placement, but it actually made sense on a Windows 8 device, which was optimized for touchscreens. You’d already have your hand around the right side for the Charms bar, after all.

In the next update, Microsoft plans to turn AutoPlay into a proper dialog that opens in the centre of the screen, similar to how AutoPlay worked back in the Windows 7 days. It also looks much more consistent with Windows 11, with a dark background, rounded corners, larger icons, and more spacing between each action.

Windows Latest also noticed that the new AutoPlay dialog gives you a choice between “Always” and “Just once.” You can first select what you want Windows to do with the connected device, such as opening File Explorer, and then decide whether Windows should remember that choice or use it only this time.

Windows 11’s redesign efforts go beyond a single dialog

AutoPlay is not the only feature getting a new look in Windows 11, as we also have the Properties sheet (right-click any folder or file, select Properties) getting a new WinUI-based revamp.

The current implementation in the preview builds is early, and it doesn’t look great because of extra padding. But as we get closer to release, it’ll get better.

At this point, I am convinced that Windows 11’s 2026 revival efforts are different, and Windows boss Pavan has really delivered on it.

We don’t see anything in the public builds yet because it’s all being tested, and some of the highly anticipated changes, such as the movable taskbar and Windows Search without Bing, begin shipping in September 2026 with Patch Tuesday.

The post Windows 11 is heading for a new look as Microsoft replaces another legacy interface with WinUI 3 appeared first on Windows Latest

The post discusses two methods for initializing objects in C#: traditional property assignment and object initializers. While the traditional method is slightly faster, object initializers enhance code readability. It recommends using object initializers for maintainability, reserving traditional assignments for performance-critical scenarios where benchmarks indicate a significant advantage.

Discover the 2 types of science fiction and learn how to write each one, from mainstream sci-fi to niche, high-concept stories.

In this article, I talk about the two types of science fiction and what you should consider when writing them. I’ll look at what they are and the audience reception for these two broad categories.

The 2 Types Of Science Fiction & How To Write Them

1. Mainstream Science Fiction

This category includes science fantasy series like Star Wars and dramatic speculative fiction like Blade Runner and The Hunger Games.

This genre is often mocked by purists as popcorn science fiction. It has lots of explosions and even more personal drama. There are wizards with laser swords fighting evil space samurai. It has Infinity Stones that can end all life, and technology that defies the laws of nature.

But it is often the most enjoyable.

I love Star Wars (most of the time), Marvel, and all the other wacky space operas. They are a great way to unwind and take it easy while watching something entertaining.

Guardians of the Galaxy is a perfect example of this feel-good style of science fiction. Getting from planet to planet is just like popping out to the shops for a bottle of space milk.

As for books in this genre, they can be just as crazy. We see this in early science fantasy works like John Carter of Mars (later also a comic book series, and then a big Hollywood movie that nobody saw). It is about an American cowboy who goes on adventures on Mars, marries a princess, defeats evil cannibals, and does some very non-PC things. It was written more than one hundred years ago, though, so some forgiveness is probably in order.

The various teenage sci-fi books of the nineties, and the slew of post-apocalyptic visions of the future we saw in the 2010s, also fall into this broad category. Animorphs and The Hunger Games stand out as dramatic, relationship-driven examples.

They don’t always work.

Some movies that should be slow, intellectual science fiction become giant action-packed blockbusters. They lose something when this happens.

For example, Oblivion (2013) had an interesting premise. Alien overlords used humans to harvest resources from Earth by making them think they were saving the planet. This was ruined, in large part, by non-stop action sequences and bizarre casting choices that distracted from what could have been an interesting story.

Andy Weir‘s The Martian is a good example of a quiet, personal, and thoughtful take on science fiction. The book was more about the science than the movie, but both convey a sense of quiet drama that allows us to invest in the characters.

How To Write Mainstream Science Fiction

1. Simplify your plot. If there are more than four main characters, you need to cut them. You should have one main plot and, at most, one sub-plot.
2. Use ideas children would understand. Good-versus-evil battles are perfect here. It should not be about the grey areas of morality. The evil guys should live in a big, evil spaceship and wear capes. The good guys should be likeable and fun to be around.
3. Raise the stakes quickly. Start off with a personal struggle that the protagonist needs to overcome – like getting off the family farm. Then involve them in an epic battle to save the world. This is not the place for a slow build up.
4. Wrap it up. This type of fiction is best when the story is short and wraps up all the loose ends. It should leave the reader satisfied that they know everything they want to know about your characters.

2. Niche Science Fiction

This category includes hard science fiction like The Expanse. It also includes morality plays and speculative, progressive science fiction like the old Star Trek (not the new flashy ones by Kurtzman and Abrams).

The Martian book fits better here, but the movie was made for a mainstream audience.

More traditional science fiction like Star Trek is often seen as being about science and technology, including time travel. Sometimes this is true. We see that in 2001: a Space Odyssey, where the movie is partly about the emergence of artificial intelligence and space travel.

But most science fiction is mostly about the fiction.

Sure, Arthur C. Clarke and Larry Niven make attempts to describe something cool using real scientific principles, but they sometimes ignore those principles a few chapters in.

Clarke’s The City And The Stars begins as an intellectual look into transhumanism and what society might look like if we cured death and all other human needs. It soon becomes a story about psychic people and crazy scientists literally inventing God and the Devil. Niven’s books become more salacious as he ages.

I’m not saying it’s boring or not worth your time. I’m just saying that science fiction is often about ideas and not science.

Star Trek is about morality and not spaceships. It asks what would happen if humans stopped hating each other:

1. What miracles could we achieve?
2. Could we even conquer the stars and make the galaxy into a utopia?

Star Trek was a beautiful dream from the mind of a gentle soul. It gave generations of people coming out of horrific wars and living under the threat of nuclear war hope for the future of humanity.

Sadly, it has since devolved into teen-angst drama in its latest incarnations.

How To Write Niche Science Fiction

1. Build the story. In high-concept science fiction, you can build up the story over several books or dozens of movies or episodes. Drip-feed the main threat to your story. This will make people feel invested in the world. Then show how great the threat to that world is. Readers must really want your world and characters to survive. This does not mean you should make it boring. Good writers entertain even as they withhold information from their audience. In this genre, you can develop more plots and many more subplots. You will also need more characters for all the plots.
2. Have you story mean something. It should teach us a lesson or inform us about something important. Regardless of what this is, it should make your reader or viewer feel like they are better off for spending their time with your story.
3. Say difficult things. Say something that is not often said. Star Trek talked about race when most shows avoided the issue. Speculative fiction is there to push new ideas. Don’t play it safe if you have something important to say.
4. There is always something more to say. You should have a cliffhanger even at the very end of the last book in the series. This is for people who like to think. The people who read these book are the kind of people who would happily spend a week coming up with a solution to the cliffhanger on an online message board. You should encourage this.

The Difference

Niche science fiction has a smaller audience. Star Trek, one of the most successful of these franchises, was always about a tenth of the size of Star Wars. However, the fans of these smaller franchises were so loyal and so passionate that they were hugely profitable, and they felt much bigger than they were.

Stargate was another niche science fiction universe centred around the US military using wormholes to teleport to other planets. It was never huge. It never felt like it had a large budget, but it sold toys and books, and people tuned in every week for 15 years.

You can be a very successful author of niche science fiction because of the loyalty of the fan base. Better still, you don’t need to sell your soul to a giant corporation who no doubt will want you to ‘punch it up’ for a wider audience.

That is not to say mainstream science fiction can’t be meaningful. I think the early Star Wars movies and, more recently, The Avengers have shown that you can have an emotionally satisfying series of movies while still appealing to almost everyone. They just can’t be smart.

There is no space for the weirdness of high-concept sci-fi like Farscape in Marvel or Star Wars (except perhaps in the spin-off novels).

Farscape was a truly remarkable series, both for its creativity and its dedication to the genre. It was always weird and alien, but also thought-provoking and emotional. It was the best of all worlds.

Unfortunately, it seems that people don’t want a mixture of high-concept and mainstream. They are very comfortable in one space or the other, and that’s fine. Just bear that in mind when you write science fiction.

The Last Word

Successful science fiction knows its audience. George Lucas knew he was writing for children and Arthur C. Clark knew he was writing for engineers. Both did very well with these demographics.

If you are in it for the big money, be sure to stick to the formulas used by the most successful franchises. They are well known and proven to work. If, however, you want to be talked about decades from now in the tones reserved for Clarke and Asimov, then you might want to go off the beaten path.

You may also want to check out these other helpful articles on writing science fiction:

1. A Complete Glossary Of Terms For Science Fiction Writers
2. 101 Sci-Fi Tropes For Writers
3. 5 Things You Need To Know To Write Science Fiction
4. The 4 Pillars Of Science Fiction
5. How To Write A Space Opera

by Christopher Luke Dean (Or at least his clone.) Christopher writes and facilitates for Writers Write.

More posts from Christopher:

1. 7 Ways To Create A Spectacular Magic System For Your Novel
2. A Complete Glossary Of Terms For Fantasy Writers
3. A Complete Glossary Of Terms For Science Fiction Writers
4. Writers Write | Story Generator
5. Things That Make Me Want To Write
6. What You Could Be Reading Right Now
7. Horror Movies Are Popular (& Why You Should Write Them)
8. The Rule Of Two For Writers
9. The Best Fantasy Map Hacks
10. What Is Grimdark Fiction & Where Did It Come From?

Top Tip: Sign up for our free daily writing links.

The post The 2 Types Of Science Fiction & How To Write Them appeared first on Writers Write.

Highlights this week in include:

• Azure Container Apps Sandboxes (Preview): Giving AI Agents a Safe Place to Work by Jan Kalis - Azure Container Apps Sandboxes offer secure, isolated environments for running untrusted AI code with features like snapshots, egress controls, managed identities, and virtual network integration, successfully deployed in production by Templafy.
• Noise Reduction with What-If Results for Deployment Stacks by Stanislav Zhelyazkov - Azure introduces a What-If engine in deployment stacks that cuts down on misleading ARM change previews, simplifying the identification of actual infrastructure modifications.
• Building an Azure AI Landing Zone Without Slowing Teams Down by Thomas Thornton - Azure AI Landing Zone introduces a unified platform pattern that standardizes identity, budgets, data governance, and security across multiple teams using model endpoints in Foundry or Azure OpenAI.
• Introducing Microsoft IQ Live: A New Biweekly Series for Developers by Ayca Bas - Microsoft IQ Live introduces a biweekly developer series covering multi-IQ architectures, serverless knowledge bases, productivity data integration, web intelligence, knowledge composition, and production governance across eight sessions starting August 6.
• Optimising DAX: Practical Examples by Carmel Eve - The article shows how small DAX tweaks, such as using bitmap filters instead of table scans, greatly boost Power BI model performance while offering advice on preventing duplicate data evaluations and reducing slicer costs.

This week Meta CEO Mark Zuckerberg published a 6,500 word open letter titled "The Future is for Everyone". But the BBC is more interested in why big tech executives keep writing manifestos about AI: [Zuckerberg's] vision echoes what AI leaders have expressed in various forms: the product they are building is among the "most important technologies in history." Marc Andreessen, co-founder of early web titan Netscape, perhaps started this trend in 2023 with a 5,000-word essay he called "The Techno-Optimist Manifesto", which argued innovation was the way to solve life's problems... As the International Monetary Fund warns AI could affect nearly 40% of jobs and worsen global financial inequality, Zuckerberg says he believes there will be an abundance of jobs in the future. "I do not understand why anyone who believes that AI will eliminate most jobs and much of humanity's relevance would rush to build that future." Never mind that Zuckerberg's Meta has cut 10% of its global workforce — about 8,000 jobs — as the company reorganizes to focus on AI. Zuckerberg's manifesto is the latest to land in our social media feeds in an effort to put a positive spin on AI. In 2024, ChatGPT-maker OpenAI boss Sam Altman released a manifesto called "The Intelligence Age", a sweeping expression of optimism about the tech's potential... That same year, in a manifesto titled "Machines of Loving Grace", Anthropic CEO Dario Amodei touted the potential of AI to transform everything from healthcare to politics. So what's going on with these tech executives' manifestos? Economics blogger Noah Smith suggested to the BBC "they all feel like it's such an important moment that it's incumbent upon them to do whatever they can to shape the direction that this technology is going." Although he does see some value in their engagement with important issues. "Should we open-source something that has the ability to kill humanity? If you don't take that seriously, you're just a fool." But Rob Lalka, a business professor at Tulane University, had a different explanation for the BBC: Lalka said the timing of Zuckerberg's manifesto coincides with rising anger over AI's impact on everything from jobs to the environment. And while tech journalists and academics might pore over them trying to glean nuggets of meaning, these executive manifestos are not necessarily landing with the general public. "They're trying to make the case that the positives will far outweigh some of those negatives that the public backlash is pointing out," he said. "But I think a lot of the reasons for optimism are still yet to be seen."

Read more of this story at Slashdot.

The annual Disney fan event showed off the cast of Marvel’s X-Men movie, plus a new trailer for Avengers: Doomsday, and our first look at the VisionQuest TV show for Disney Plus. For Star Wars fans, there was a teaser trailer for season two of Ahsoka, plus a special look at Star Wars: Starfighter with an appearance from Ryan Gosling.

Other new announcements included a few updates about Pixar, The Simpsons, Bluey, and others you can find below.

• Matt Groening lets slip that Simpsons: Hit & Run might be making a comeback
• Pixar is getting spooky in Ghost Market.
• Disney is making a Kingdom Hearts anime.
• The Bluey Movie teaser shows Keepy Uppy in Disneyfied CG.
• Star Wars: Ahsoka season 2 and Starfighter get teased at D23
• A new Avengers: Doomsday trailer focuses on Robert Downey Jr.’s Doom.
• The first trailer for VisionQuest reunites Paul Bettany and James Spader.
• Marvel reveals the new X-Men cast, including Inde Navarrette and Adam Driver
• Kingdom Hearts will be featured at Disney’s big D23 expo in August.
• Square Enix teases Kingdom Hearts 4 at Nintendo Direct